“A looming 35 feet tall, Sugar Baby is ensconced toward the back
of an enormous warehouse, built in the late 19th century, that Domino once used
for storing raw sugar cane as it arrived by boat from the Caribbean for
refinement and packaging. Once a luxury — subtleties were sugar sculptures made
for the rich as edible table-decorations — sugar became more widely available
due in large part to slave labor. No wonder its journey north may bring to mind
the Middle Passage endured by Africans forced across the Atlantic.”
"Kara Walker is an African-American feminist artist who deals with the particular experiences of belonging to two minorities, confronting both sexism and racism. Walker challenges her audiences by recalling the realities of slavery and its role and legacy in American history. Walker’s early work explored this through an aesthetic of large, black cut-out silhouettes pasted onto the gallery walls."
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.